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Do We Do-Re-Me? | Musical Play

We are often asked if we teach children using “solfeggio" or Do Re Me. The short answer is no – (sorry, Judi Dench).


Julie Wylie, music, musical play, musical play New Zealand, musical play nz, musical play Christchurch, music therapy, music therapy for kids, music therapy courses, music therapy nz, music therapy New Zealand, music therapy Christchurch, therapy, early childhood, early childhood education, early childhood education nz, early childhood courses, early childhood education Christchurch, early childhood education centres, early childhood teacher, early childhood jobs, music classes, music classes for preschoolers, music classes for kids, music classes Christchurch, music classes for toddlers, music classes for babies, early childhood centre, early childhood centre music, pediatric music therapy, pediatric musical play therapy, musical play at home, baby musical play, tips for musical play, tips for music, guide for music, baby music ideas, toddler music ideas, child music ideas, music science, music in school, musical play science, science explained

We don’t use this method, unlike many other early childhood music professionals, although there’s nothing wrong with teaching it to young children.


With young children, we start with the body, as children learn through their body. So pitch 1 (or Do) is down low, on the floor, where you can jump and sense it and give weight and finality to it.


We teach pitch moving up the body – from the floor to above heads, right from babies. This makes sense of pitch.


We’ve seen many adult teachers who don’t have that deep “feeling” of where pitches sits – is this lower or higher? Is this pattern high-low-high?

It can be a struggle for many, so we start from a young age. From here comes the ability to hear music and play it from ear.


We sing the scale using body parts – feet, knees, tummy, shoulders, head.


We then use numbers. Why? Because children know and understand this system. It isn’t new. They are surrounded by counting, this makes sense to them and goes on to provide a wonderful basis for a scale that moves, scales that change notes to become new scales, scales that are unusual. They can see WHY, when they see which numbers have changed.

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